DanJKroll
In the Bubble with Dan J Kroll: What to do when a big-name star threatens to walk
by
on 06-08-2009 at 12:10 AM (23519 Views)
With the passing of each week, I have to sit down and figure out what I'm going to talk about in this column. Not only that, I also have at least an hour of airtime to fill each and every Monday night in my weekly radio show. Sometimes, like this week, the column writes itself.
For the past 30 years, Melody Thomas Scott has appeared as Nikki Newman on The Young and the Restless. Okay, she wasn't a Newman for all 30 of those years, but you get the idea. Y&R viewers, however, will have to get used to not seeing Scott on-screen. Contract talks between the veteran actress and show executives have broken off. The reason? Money.
You can never know the real story because typically stars and show execs do not talk about what really goes on at the bargaining table. But this is the second time that a Y&R star has threatened to walk in recent months over a reduced salary. Jess Walton left Y&R, only to return a few days later with an understanding that a job is a job - even if you have to take less money. I have to wonder how much these stars are being asked to accept as their salary. I'd have to imagine that they are still being paid well in excess of $100,000 a year. Even newcomers make more than that. I think that most stars would be hard-pressed to find a lot of soap fans who'd feel bad for their diminished pay check.
So what is a soap to do when a big name talent threatens to walk? It might seem like the natural response would be to recast the role, but that's not always the easiest decision to make. Fans of a performer that made a role iconic might revolt -- or worse… they might turn the dial. As the World Turns faced that last year when Martha Byrne walked and Noelle Beck took over as Lily Snyder. It should be noted that Byrne didn't walk over money; she just wanted to appear in a certain number of episodes each week.
Writing out a character is always an option, but how many times can you kill off a character before it becomes cartoonish? There are options available other than the dreaded presumed dead fate, but writers rarely seem to employ them. Moreover, depending upon how much notice the writers get, it's not always possible to craft a decent exit story. What happened to All My Children's Brooke English? Julia Barr was let go and her character didn't even get a memory montage.
Do you back down and give the star all the money that they want? That's not really an option, either. If you give money in one place, you have to take it from another. Are you willing to lose two or three actors because a bigger star doesn't want to work for less money? That seems unfair as well. The opposite also seems unfair, though: firing a big name star over budget issues and then hiring three newcomers for less money.
Call me mean, but I think it's unfair for any performer to essentially hold a show hostage by not coming to a decision. Playing chicken over money doesn't seem to be fair to the most important person: the fan. Or more correctly, the collective audience of television viewers… the very people who keep the soaps on the air. Why deprive the fans of the best story possible because the writers were not given ample time to wrap up a storyline?
We all have to make a living. I know that some folks reading this column have recently lost their jobs. No one wants to see anyone get screwed over by a large corporation, but fans don't want to see their favorite performers phased out. Surely there has to be a better way to get things done. Otherwise, everyone ends up losing.









